July 4 -- in the subway
July 5 -- ducks in a row
July 6 -- modernism
July 7 -- wall study
July 8 -- fruit stall
July 9 -- Fröhliche Weihnachten
July 10 -- strait and narrow
Saturday, July 17, 2010
Friday, July 16, 2010
Art-A-Day
June 27 -- 1599
June 28 -- skyline
June 29 -- Hamburg Hauptbahnhof
June 30 -- everything but Bud
July 1 -- unsmiley guy
July 2 -- war memento
June 28 -- skyline
June 29 -- Hamburg Hauptbahnhof
June 30 -- everything but Bud
July 1 -- unsmiley guy
July 2 -- war memento
July 3 -- outside the souvenir shop
Wednesday, July 14, 2010
Art-A-Day
June 19 -- from the jetway
June 20 -- on the tarmac
June 20 -- on the tarmac
June 21 -- on the corner
June 22 -- in the church
June 23 -- wine country
June 24 -- blowing bubbles
June 26 -- after the wedding
Friday, June 18, 2010
Saturday, June 12, 2010
Art-A-Day
June 6 -- stop
June 7 -- in the culvert
June 8 -- pink socks
June 9 -- quark trails
June 7 -- in the culvert
June 8 -- pink socks
June 9 -- quark trails
June 10 -- from the deck
June 11 -- behind the restaurant
June 12 -- hollyhocks
Friday, June 11, 2010
My calendar quilt
I have written several times about my interest in daily art, projects where you make a commitment to yourself to make a certain type of art every day (or every week, for those with larger ambitions and/or less time).
My first daily art project was a quilt that has a block for every day in a year. The year was 2001, and I was inspired by a really dumb thing: the title of the old movie 2001: A Space Odyssey. I thought it would be really original to hijack that title and call my piece 2001: A Quilt Odyssey. Of course, it wasn’t original at all – in five minutes on Google I just came up with at least five shows with that title or theme – but it did start me on a wonderful piece of work.
The key to a daily art project, of course, is to set rules for yourself, and to write the rules in your own favor. You want to set the bar high enough so you will be challenged but low enough so you will actually keep on jumping. I did some serious thinking about this quilt in the last days of December, and decided that I would make a five-inch square block for every day. It didn’t have to be made on that day, but it had to document something that happened that day. Eventually I planned to sew the blocks together into a quilt.
On days when I worked in the studio, it was easy to make the block. At night, just before I turned out the light and went upstairs, I would gather up scraps from whatever I had been working on and sew them together till they were five inches square. So the quilt became a diary of the quilts I made that year (I was amazed to count up at the end of the year and realize that I worked on 42 different quilts).
My first daily art project was a quilt that has a block for every day in a year. The year was 2001, and I was inspired by a really dumb thing: the title of the old movie 2001: A Space Odyssey. I thought it would be really original to hijack that title and call my piece 2001: A Quilt Odyssey. Of course, it wasn’t original at all – in five minutes on Google I just came up with at least five shows with that title or theme – but it did start me on a wonderful piece of work.
The key to a daily art project, of course, is to set rules for yourself, and to write the rules in your own favor. You want to set the bar high enough so you will be challenged but low enough so you will actually keep on jumping. I did some serious thinking about this quilt in the last days of December, and decided that I would make a five-inch square block for every day. It didn’t have to be made on that day, but it had to document something that happened that day. Eventually I planned to sew the blocks together into a quilt.
On days when I worked in the studio, it was easy to make the block. At night, just before I turned out the light and went upstairs, I would gather up scraps from whatever I had been working on and sew them together till they were five inches square. So the quilt became a diary of the quilts I made that year (I was amazed to count up at the end of the year and realize that I worked on 42 different quilts).
On days when I didn’t sew, I looked for the most striking visual image of what I had done during the day. This was the biggest challenge for me. Since I don’t draw, I struggled with how to represent these days – and even if I had been able to draw, what could I execute in fabric within the confines of a five-inch square? I had to force myself to simplify, simplify, simplify. Turned out to be excellent training for my quest to become an artist.
Here’s one such block: we saw the opera “Daughter of the Regiment,” a frothy comedy where the guys all wore fancy uniforms. My first thought was to depict soldiers (which I couldn’t figure out how to do) but after many sketches, each one simpler than the one before, I came up with the essence of the fancy uniforms.
In a quilt this busy, it was nice to have some recurring blocks for continuity. I made up two blocks for travel days, a highway block and an airplane block. And a beach block for my calm vacation.
I’ll write more about this quilt in subsequent posts.
Sunday, June 6, 2010
Art-A-Day
May 30 -- behind the Mexican restaurant
May 31 -- Memorial Day
June 1 -- fifth-grade graduation
June 2 -- in the park
June 3 -- stone wall and redbud
June 5 -- post no bills
May 31 -- Memorial Day
June 1 -- fifth-grade graduation
June 2 -- in the park
June 3 -- stone wall and redbud
June 4 -- blue porch
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